How did Bobbie Ann Mason`s upbringing in the rural south influence her writing of Shiloh Essay

Bobbie Ann st wizmason is considered as unrivalled of the great American writers from the South. Her personal arseground as a Southerner influenced and begin out a hold updrop for most of her assembly stories. From a small kingdom girl who used to read Bobbsey Twins and the Nancy Drew mysteries, Bobbie Ann mason has grow single of the Americas leading fiction writers. In 1980 The in the raw Yorker published her setoff tommyrot. It took me a long time to disc all over my material, she says. It wasnt a matter of developing writing skills it was a matter of designed how to see things. And it took me a very long time to grow up.Id been writing for a long time, provided was never capable to see what there was to write about. I always aspired to things away from dental plate, so it took me a long time to look back at plaza and realize that thats where the center of my thought was (Bobbie Ann stonemasons Homepage). This preaching will try to map out the journey that Bobbi e Ann mason has interpreted from being just a country girl to being one of Americas leading fiction writers as well as how her upbringing has been manifested in her writings, especially battle of Pittsburgh Landing. Bobbie Ann mason was born in 1940 in a small town in Mayfield, Kentucky.Growing up in her p argonnts dairy farm, she spent most of her childhood days in the typical rude Southern setting and experiencing the Southern way of upbringing. (Bobbie Ann mason, Wikipedia) The first nine (9) years of her educational life were spent in a farming(prenominal) school. laconicly thereafter Bobbie Ann stonemason attended a urban center school where she stayed until her graduation. It was here where she first experienced reinforcement in the metropolis and experiencing the hustle and bustle that was absent from the rural setting that she was accustomed to in Kentucky (Webber).It was her love for literature that prompted her to pursue a degree in mods media from the Univers ity of Kentucky and eventually attain a Ph. D. in English from the University of Connecticut. (Bobbie Ann stonemason, Wikipedia) This fronting wave-particle duality of her background, growing up in the Southern Setting and highly ameliorate in a metropolitan setting, is reflected within most of her written deeds (Hunt). Rothstein describes Masons style as a combination of her talented sophistication (after all, she had a doctorate degree) and the sense of isolated, yearning existence of her rural characters is one she has never quite shed herself. The influence of growing up in the South is clearly shown in most of her characters in her stories as yet the theme and feel of the story discloses her intellect and cosmopolitan views as well. A perfect example of how Mason reveals this duality is in Shiloh. In Shiloh, Mason shows this through the challenges that the characters undergo just about of these interpolates that the characters in experience deal with the nature of hom osexual life, the falsifys brought on by death, the issues on disease and aging but these changes be not so common, nor as troublesome, in Masons stories as the changes brought on by a changing auberge.These changes, as Edwin T. Arnold right on observes, be brought about by the fact that the present has set upively displaced, transformed, and cheapened the traditional, and Masons characters are depicted as they lose their strengths and beliefs and find naught substantial to replace them (136) Bobbie Ann Masons writings are for the most part set in the South. Her version is more than realistic and not romanticized strange the works of Faulkner or OConnor (Hunt), she depicts small-town rural Southern living, using communication and settings characteristic of the South (Hunt).However, southern history and all it represents seems irrelevant to her characters lives (Fine 87). Bobbie Ann Mason occasionally reveals her talent and wit by being able to guidance more on her chara cters and their sense of isolation and their want for something more from their lives and quarter the reader towards the characters and make them empathize with the characters. These characters are not simply depicted as typical Southerners, but rather as people who are trying desperately to get into the society rather than out of it (Reed 60).Mason shows the Southern Influence by creating believable characters that are caught in the transition between the old, pastoral, rural world of farms and close-knit communities and the modern, anonymous, suburban world of obtain malls and fast-food restaurants (Shiloh Themes). In Shiloh, for example, Leroy did not notice the change in his hometown while he was on the road as a trucker. However, now that Leroy has come home to stay, he notices how practically the town has changed. Subdivisions are spreading across occidental Kentucky like an oil slick. Change, a theme often used by Mason in her works, shows just how much Mason is influenc ed by her upbringing and also reveals how she laments over how people are slow to realize the changes in southern society. In this story, it takes a traumatic event of some configuration to make the characters see that the land has changed or that they no longer goulate who they are. In Leroys case, it is his accident and injury in his rig that make him see that the land has changed, that nary(prenominal)ma blue jean has changed, and that in all the years he was on the road he never took time to examine anything.He was always flying past scenery (2). Several of Masons characters react to the changes in their lives by trying, at least momentarily, to go back. Leroy thinks that he can hold onto his wife if he can go back to a simpler time. He decides to accomplish this by fabricateing her a enter cabin for which he goes so far as to order the blueprints and to build a miniature out of Lincoln Logs. Mabel, Leroys mother-in-law, is convinced that if Leroy and Norma dungaree will go to Shiloh where she and her husband went on their honeymoon, they can in some manner begin their fifteen-year-old marriage anew.So does Leroy. He says to Norma, You and me could start all over again. Right back at the beginning (15). It is ironic, fitting, and symbolic that it is at Shiloh that Norma tells him she wants to leave him. By storys end, Leroy knows that he cannot go back as it occurs to him that building a house of logs is . . . empty too simple. . . . forthwith he sees that building a log house is the dumbest idea he could have had. . . . It was a crazy idea (16). He realizes that the real informal workings of a marriage, like most of history, have escaped him (16).The womanly characters that Mason brings to life are what set her stories apart from the usual literature which depicts Southern women their dreams, goals, and their want for progress significantly differs from those of the traditional Southern belle characters such as Scarlett OHara and Adie (Hunt ). The female characters of Mason embrace change and are not afraid of it (Kincaid 582). This seemingly feminist theme reflects the change in social relationships between men and women how evolving and rapidly shifting gender roles bushel the lives of simple people.Mason also shows how some of her women try to forge new identities in the wake of shifting gender roles and how their efforts often include a blatant shrinking of traditionally feminine behaviors or characteristics sometimes they seem almost completely to be trading roles with the men in their lives. And since change often causes uncertainty and instability, another aspect is the way these women find some solid ground through connections with other women (Bucher). Shiloh is a story that symbolizes the modern woman striving to find her identity (Cooke 196).In this perfectly story, Bobbie Ann Mason masterfully portrays the lead female character, Norma Jean, as one such woman strong, determined and confused in a search for her identity. Mason is able to show this to the reader through the acts of Norma Jean as she tries to change her physical appearance by working on her pectorals (Mason 271), enrolls in a variety of classes, from weightlifting to cooking exotic foods to English composition in an attempt to become a new woman (Thompson 3). These actions of Norma Jean actions reveal more of a strong desire for inner personal transformation, much more than anything else.However, Mason also recognizes that rough change in ones personality has its own dangers (Hunt), as illustrated by Norma Jean and Leroys relationship. Norma Jean and Leroys relationship is a perfect example of the dangers of an abrupt change as it shows a marriage with serious problem and the effect that change has on it. Leroy and Norma Jean Moffitt, are working-class people living in the modern South, and thus they bring into their marriage all sorts of unvoiced expectations of who they should be, which often contrast violently wit h who they are even more so with who they are becoming (Bucher).When in a twist of fate, Leroy loses the use of his leg, Norma Jean suddenly assumes the role of being the man in the family and this leads to problems. It is this sort of change that is not only abrupt but also drastic which Mason shows in Shiloh that reveals her Southern influence. She emphasizes the changing role of women in society by using the Southern setting as a backdrop. Mason is a lover of contestation and roll music. This passion and preference for rock music and pop culture are frequently reflected throughout her stories as well (Webber).Writing is my version of rock-and-roll, Rothstein quotes her (Webber). This is aptly shown in Shiloh, where the main characters themselves are named after Elvis Presley and Marilyn Monroe, popular icons of the rock and roll scene and pop culture in the early 1950s. All in all, it can be said that Bobbie Ann Masons personal background shows a very consistent influence in th e fiction stories that she writes and provides a deeper and different thought about living in a Southern setting and rural life in general.In the country in Kentucky, people are just amazed that anybody in New York wants to read about their lives (Rothstein). With fiction stories of Bobbie Ann Mason, however, it is not surprising that people will want to read more about Kentucky or the Southern locales of the United States, for that matter, for her stories speak of the universal human experiences that transcend physical and cultural boundaries which people can identify with. working CITEDArnold, Edwin J. Falling Apart and Staying Together. Appalachian Journal (1985) 135-141Aycock-Simpson, Judy. Bobbie Ann Masons word picture of Modern Western Kentucky Border States Journal of the Kentucky-Tennessee American Studies Association, No. 7 (1989) Bobbie Ann Mason. Wikipedia Free Encyclopedia. August 30, 2006. November 11, 2006 Bobbie Ann Mason. Bobbie Ann Masons Homepage. September 17, 2005. November 24, 2006 Shiloh Themes. Short Stories for Students. Ed. Marie Rose Napierkowski. Vol. 3. Detroit Gale, 1998. eNotes.com. January 2006. 24 November 2006. Bucher, Tina. Changing Roles and Finding Stability Women in Bobbie Ann Masons Shiloh and Other Stories Border States Journal of the Kentucky-Tennessee American Studies Association, No. 8 (1991) Cooke, Stewart J. Masons Shiloh. The Explicator 51 (1993) 196-197. Fine, Laura. Going Nowhere late The Post-South World of Bobbie Ann Mason. The Southern Literary Journal 32 (1999). Hunt, Kristina. Masons Transformation of the South. October 27, 2000. November 11, 2006.